Eight pavilions sit above a small forested bluff on the Derwent estuary, each one named for an Australian artist or architect and hung with a work from the museum's own collection — guests effectively sleep inside a private wing of MONA. Built as an extension of David Walsh's museum rather than a conventional hotel, the pavilions favour concrete, glass and dark timber, split across four one-bedroom and four two-bedroom configurations, with a shared gym, sauna and heated infinity pool looking back toward the water. There is no reception desk in the ordinary sense — guests arrive through the museum grounds, past the winery and micro-brewery, into a property that treats accommodation as one more gallery space. Rooms carry no uniform house style; instead each pavilion holds its own artwork and its own name, so no two stays are quite the same. It is an unusual proposition for a museum to run an eight-room hotel at all, rarer still for that hotel to feel like a continuation of the collection rather than an add-on.