Melissa Baldock works from a studio on her 50-acre property in Snug, cutting eucalyptus silhouettes by hand with a jeweller's saw and reaching for copper alloys — sterling silver, shibuichi, shakudo — that oxidise into earthy, organic tones. Her background in horticulture shows: the work is less about adornment than about pinning the Tasmanian landscape to your lapel.
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